Verse:
A#m
Oh, well imagine, as Iʼm pacing the pews in a church corridor,
D#m
and I canʼt help but to hear, no I canʼt help but to hear
F#
an exchanging of words:
A#m
"What a beautiful wedding! What a beautiful wedding!" says
A#m
a bridesmaid to a waiter.
D#m
"Yes, but what a shame, what a shame, the poor groomʼs bride
F#
is a whore."
Chorus:
A#mD#m
Iʼd chime in with a "Havenʼt you people ever heard of closing
G#
a goddamn door?!"
A#mD#mF#
No, itʼs much better to face these kinds of things with a sense
G#
of poise and rationality.
A#mD#m
Iʼd chime in, "Havenʼt you people ever heard of closing
F#G#
a goddamn door?!"
A#mD#m
No, itʼs much better to face these kinds of things
F#G#
with a sense of...
Verse:
A#m
Well in fact, well Iʼll look at it this way, I mean
D#m
technically our marriage is saved
F#
Well this calls for, a toast so, pour the champagne
A#m
Oh! Well in fact, well Iʼll look at it this way,
D#m
I mean technically our marriage is saved
F#
Well this calls for a toast, so pour the champagne,
F#
pour the champagne
Chorus:
A#mD#mF#
Iʼd chime in with a "Havenʼt you people ever heard of
G#
closing a goddamn door?!"
A#mD#mF#
No, itʼs much better to face these kinds of things
G#
with a sense of, poise and rationality
A#mF#G#
Again...
A#mD#m
Iʼd chime in "Havenʼt you people ever heard of closing
G#
a goddamn door?!"
A#mD#m
No, itʼs much better to face these kinds of things with
F#G#
a sense of poise and rationality.
A#mD#m
Iʼd chime in, "Havenʼt you people ever heard of closing
F#G#
a goddamn door?!"
A#mD#m
No, itʼs much better to face these kinds of things
F#G#
with a sense of, poise and rationality.
A#mF#G#
Again...
