Verse:
G#m
Oh, well imagine, as Iʼm pacing the pews in a church corridor,
C#m
and I canʼt help but to hear, no I canʼt help but to hear
E
an exchanging of words:
G#m
"What a beautiful wedding! What a beautiful wedding!" says
G#m
a bridesmaid to a waiter.
C#m
"Yes, but what a shame, what a shame, the poor groomʼs bride
E
is a whore."
Chorus:
G#mC#m
Iʼd chime in with a "Havenʼt you people ever heard of closing
F#
a goddamn door?!"
G#mC#mE
No, itʼs much better to face these kinds of things with a sense
F#
of poise and rationality.
G#mC#m
Iʼd chime in, "Havenʼt you people ever heard of closing
EF#
a goddamn door?!"
G#mC#m
No, itʼs much better to face these kinds of things
EF#
with a sense of...
Verse:
G#m
Well in fact, well Iʼll look at it this way, I mean
C#m
technically our marriage is saved
E
Well this calls for, a toast so, pour the champagne
G#m
Oh! Well in fact, well Iʼll look at it this way,
C#m
I mean technically our marriage is saved
E
Well this calls for a toast, so pour the champagne,
E
pour the champagne
Chorus:
G#mC#mE
Iʼd chime in with a "Havenʼt you people ever heard of
F#
closing a goddamn door?!"
G#mC#mE
No, itʼs much better to face these kinds of things
F#
with a sense of, poise and rationality
G#mEF#
Again...
G#mC#m
Iʼd chime in "Havenʼt you people ever heard of closing
F#
a goddamn door?!"
G#mC#m
No, itʼs much better to face these kinds of things with
EF#
a sense of poise and rationality.
G#mC#m
Iʼd chime in, "Havenʼt you people ever heard of closing
EF#
a goddamn door?!"
G#mC#m
No, itʼs much better to face these kinds of things
EF#
with a sense of, poise and rationality.
G#mEF#
Again...